When mixing drum overheads and room mics we have to consider many things like enhancing cymbal brightness whilst avoiding harshness, avoiding cluttering up the low end, maintaining clarity and delivering energy without losing punch. Phew!
Here's a simple 4 plugin approach to getting great results from your overheads and room mic. I'll talk you through the key EQ frequencies to look out for, how to dial in a compressor on a room mic and what to listen out for when adding saturation.
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